I’m not crazy about this one, but the flower-ish design in the center of two columns (on the back of the square) is interesting. Perhaps I don’t favor this sample because it’s woven with L1&2/3&4 warping, which is my least favorite combination. It might be worth weaving with L1 darker/2-4 lighter.

DuO Diamonds 3a, back. On this side of the square, the center diamond gets overwhelmed by the flower shape amidst two columns.

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This is the first in a series of DuO patterns. I’m not crazy about it, but I’m posting it in case someone else wants to try it. I remember how much trouble I had designing the number 8 and here I just stumbled across it. (However, this is what I’d call the negative version; the back of the square is not as clearly an 8. Still it might be worth a rewrite…)

DuO, front

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I may eventually say the same thing for all the two-layer, two-color warping configurations; I don’t use them often, but it’s useful to know how to do them when you want them. This one is probably my least favorite warping configuration which is interesting to me because it’s the same configuration generally used on a rigid heddle loom—warp one color, weft another. If you want to practice a weaving pattern you have in mind for a rigid heddle project, this pin loom warping configuration should be useful for that—especially if every odd row in your RH project is plain weave.

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For rhetoric about this pattern, see Ladders 1a and 1b.

18 April 2019 UPDATE—A blog friend informs me that this pattern—perhaps feeling it didn’t get enough individual attention—has made another appearance under a different name a few weeks later. It’s now going by the name of Lattice Borders original, amended. It’s difficult for me to keep from running across the same patterns from time to time—especially the simpler, more elegant ones. I once invented a pattern I really loved and called it Basketweave, only to discover that it was good old Horizontal Xs. I also called one Withy Fence, but it was Horizontal Xs all along.

Ladders 2, front

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