I may eventually say the same thing for all the two-layer, two-color warping configurations; I don’t use them often, but it’s useful to know how to do them when you want them. This one is probably my least favorite warping configuration which is interesting to me because it’s the same configuration generally used on a rigid heddle loom—warp one color, weft another. If you want to practice a weaving pattern you have in mind for a rigid heddle project, this pin loom warping configuration should be useful for that—especially if every odd row in your RH project is plain weave.

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For rhetoric about this pattern, see Ladders 1a and 1b.

18 April 2019 UPDATE—A blog friend informs me that this pattern—perhaps feeling it didn’t get enough individual attention—has made another appearance under a different name a few weeks later. It’s now going by the name of Lattice Borders original, amended. It’s difficult for me to keep from running across the same patterns from time to time—especially the simpler, more elegant ones. I once invented a pattern I really loved and called it Basketweave, only to discover that it was good old Horizontal Xs. I also called one Withy Fence, but it was Horizontal Xs all along.

Ladders 2, front

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This might not be the best yarn for weaving patterns. When I bought it on clearance at Michaels a few years ago I wanted to try it out right away, so I sat down and made up two patterns (see also Ladders 2). For over two years I didn’t look at them again, but whenever I thought of them I remembered how much I liked the look of the yarn—which looks different in the photo of the back of the square (unnatural light). The ladder shows on the back of the square; this explains why I made up Ladders 2 (always like to get the motif onto the front).

Ladders 1a, front

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It’s been nearly three years since we used this design in our first Weave-Along (WAL) on the Facebook Pin Loom Weaving Support Group. I should say it’s been bothering me ever since, but it wasn’t. However, it bothered several others at the time of the WAL—people who were good at spotting oddities in weaving designs. My squares were so obscure looking that I didn’t notice the inconsistencies. (See original Loomette pattern diagram at bottom of this post.)

Loomette Sunken Square, corrected version, front

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